The WFCC is inviting composers of all countries to participate in the 2016-18 WCCI. The tourney director is Dmitry Turevsky (email: dmitri.turevski@gmail.com). The competition will be held according to the system used in the previous championship, with changes in the points 4, 5, 8 and 12 of the rules.
| WCCI 2016-18 | WCCI 2013-15 |
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| 4. A composer may submit to each section no more than 6 and no less than 4 compositions published in the defined three-year period. For informal tourneys the date of publication of the issue containing the composition is decisive; for formal tourneys the date of appearance of the award is decisive (NB: not the closing date of the tourney). If a composition has been published in a magazine which is labelled 2015 on the front but it appeared in 2016-2018, the composition is eligible for the 2016-18 WCCI. If a composition has been published in a magazine which is labelled 2018 on the front but it appeared in 2019, the composition is eligible for the 2016-18 WCCI provided that the magazine was published before the deadline. If a composition has been published in a magazine which is labelled 2019 on the front but it appeared in 2018, the composition is not eligible for the 2016-18 WCCI. Later corrections or versions could be accepted if they are submitted before the deadline. If the date of publication is in doubt, the director should ask the composer for evidence. Joint compositions and versions created in collaboration with other composer(s) are not allowed. It is not allowed to submit compositions on behalf of someone else without explicit statement of the other person’s consent. | 4. A composer may submit to each section no more than 6 and no less than 4 compositions published in the defined three-year period. For informal tourneys the date of publication of the issue containing the composition is decisive; for formal tourneys the date of appearance of the award is decisive (NB: not the closing date of the tourney). Later corrections should normally be accepted. If the date of publication is in doubt, the director should ask the composer for evidence. Joint compositions are not allowed. It is not allowed to submit compositions on behalf of someone else without his written consent. |
| 5. Entries must be sent to the director by email and in PDF format only. In each section composers have to submit one PDF file, which will include all their entries to this section with one composition per page. Composers must have already marked their entries with No. 1 to 6. The compositions should be in diagrams of a uniform size, with the author’s name, publication data, any award, stipulation, full solution and a comment if desired. Algebraic notation is to be used. In section D (endgame studies) composers may alternatively submit a PGN file of their entries or both. In section G (Fairies) composers must provide the definitions for the less common fairy elements. | 5. Entries must be sent to the director by email and in PDF format only. In each section composers have to submit one PDF file, which will include all their entries to this section with one composition per page. Composers must have already marked their entries with No. 1 to 6. The compositions should be in diagrams of a uniform size, with the author’s name, email address, publication data, any award, stipulation, full solution and a comment if desired. Algebraic notation is to be used. In section D (endgame studies) composers may alternatively submit a PGN file of their entries. |
| 8. Using a scale of 0 to 4 including half-points, each judge will allocate points to all compositions in the section(s) which he has agreed to judge, except for his own entries and entries that were excluded from the competition on technicalities. Compositions which are sound and not anticipated should receive at least 0.5 points. The judges must explain their reason(s) for giving a score of 0 points to any composition. Judges in section D (endgame studies) are requested to allocate points to the studies as if they had been composed in the traditional manner before the advent of the computer into compositional chess. It should also be noted that studies are not to be regarded as anticipated by any position appearing in a computer-generated database. | 8. Using a scale of 0 to 4 including half-points, each judge will allocate points to all compositions in the section(s) which he has agreed to judge, except for his own entries. Compositions which are sound and not anticipated should receive at least 0.5 points. The judges must explain their reason(s) for giving a score of 0 points to any composition. Judges in section D (endgame studies) are requested to allocate points to the studies as if they had been composed in the traditional manner before the advent of the computer into compositional chess. It should also be noted that studies are not to be regarded as anticipated by any position appearing in a computer-generated database. |
| 12. The director will send the tables with the results to the 3 members of the Supervising Panel, who cannot be participating or judging in any section. If he feels it necessary he will point out any potential irregularities, e.g. the average score of any one judge is much higher or much lower than that of the other four, or cases where there is a wide disparity (e.g. more than 1.5) between the judges’ points allocated to a given composition (in such cases the director should email the outliers with the average score of the other judges). The members of the Supervising Panel should also point out irregularities and ask the director for a resolution. | 12. The director will send the tables with the results to the 3 members of the Supervising Panel, who cannot be participating or judging in any section. If he feels it necessary he will point out any potential irregularities, e.g. the average score of any one judge is much higher or much lower than that of the other four, or cases where there is a wide disparity (e.g. more than 1.5) between the judges’ points allocated to a given composition. The members of the Supervising Panel should also point out irregularities and ask the director for a resolution. |
Participants may submit their entries by January 20, 2019. Details can be found in the announcement.
